Images from Quartering Myself, my show at Shoot the Lobster gallery in Luxembourg




























Shoot The Lobster Luxembourg is pleased to present Quartering Myself, an exhibition by Ross Simonini, on view from October 2 – November 15, 2014.

“I quarter myself to unlearn lopsided handedness–the sensation of the body's purposeful energy directed down a single appendage, into a single hand, between a thumb and forefinger and onto the tip of a bristle. I'm stopping the imbalanced, repetitive stress. Instead, the marks on these works speak for the full, bilateral, four-limbed body.

Favored unihandedness is excellent for the muscular control of handwriting, and it's true that most humans tend toward sidedness (a preference for one half of the body over the other) but the other limbs also have contributions to make. Painting with a brush held between the hallux and long toe, for instance, produces a softer, fluffier mark, without the defined, refined intention of the right hand. Pedal muscles contain the skill of locomotion–not communication, not draughtsmanship–and I try to exercise them well.

I begin from an open athletic position: readied, relaxed, knees gently bent, eyes aimed forward. With my right hand, I make an arm-reach mark in the upper right quadrant. Without shifting position, I mark with the left hand in upper left quadrant, then the right foot, then the left foot–a reverse clockwise direction. I make four marks, in this manner, with a different color, on each day until the painting is complete. Could take 2 days, could take 23, could take 96. In fact, each of these periods of time is represented in Quartering Myself.”


My first solo show opens this friday


Ross Simonini

Quartering Myself
October 2 - November 15, 2014
Opening Reception: Thursday, October 2, 5-8pm


Shoot The Lobster Luxembourg is pleased to present Quartering Myself, an exhibition by Ross Simonini, on view from October 2 – November 15, 2014.

 “I quarter myself to unlearn lopsided handedness–the sensation of the body's purposeful energy directed down a single appendage, into a single hand, between a thumb and forefinger and onto the tip of a bristle. I'm stopping the imbalanced, repetitive stress. Instead, the marks on these works speak for the full,
bilateral, four-limbed body. 

Favored unihandedness is excellent for the muscular control of handwriting, and it's true that most humans tend toward sidedness (a preference for one vertical half of the body over the other) but the other limbs also have contributions to make. Painting with a brush held between the hallux and long toe, for instance, produces a softer, fluffier mark, without the defined, refined intention of the right hand. Pedal muscles contain the skill of locomotion–not communication, not draughtsmanship–and I try to exercise them well.

I begin from an open athletic position: readied, relaxed, knees gently bent, eyes aimed forward. With my right hand, I make an arm-reach mark in the upper right quadrant. Without shifting position, I mark with the left hand in upper left quadrant, then the right foot, then the left foot–a reverse clockwise direction. I make four marks, in this manner, with a different color, on each day until the painting is complete. Could take 2 days, could take 23, could take 96. In fact, each of these periods of time is represented in Quartering Myself.”

-Ross Simonini



“A human being in perfection ought always to preserve a calm and peaceful mind and never to allow passion or a transitory desire to disturb his tranquility. I do not think that the pursuit of knowledge is an exception to this rule. If the study to which you apply yourself has a tendency to weaken your affections and to destroy your taste for these simple pleasures, in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind.” - Frankenstein

Devotional Spaces opens this Friday at Ventana 244 Gallery in Williamsburg

244 N 6th St, Brooklyn, NY 11211
Friday, March 28th 6-8pm